Monday, February 1, 2016

'Korea needs more professional curators'


koreatimes.co.kr

Korea Foundation Vice President Yoon Keum-jin / Courtesy of the Korea Foundation


Galleries overseas not fully utilized: KF vice president


By Rachel Lee.


Korea should find ways to make the most of limited gallery space at overseas museums to better promote the country's culture, a Korea Foundation (KF) executive says.

Vice President Yoon Keum-jin believes that making the best use of space, and having professional curators, should be the top priority instead of focusing too much on getting more space.

The KF was founded in 1992 for international exchange and public diplomacy initiatives.

"Korea joined the museums pretty late, which means we didn't have much choice for location and size in the first place anyway," Yoon, 58, told The Korea Times.

"Unless major renovations take place at the venues, it is certainly not possible for us to obtain more gallery room."

Yoon, who has handled almost every project related to Korean galleries abroad for over 20 years, was director at the organization's office in Washington, D.C., the Culture and Arts Department and the International Cooperation Department.

The KF has helped set up rooms in 28 locations in 10 countries.


The Korea Foundation has hosted workshops to educate curators from around the world since 1999. / Courtesy of the Korea Foundation

According to the organization, 75 Korean galleries and small sections had been set up in museums in 23 countries as of 2014. Most are in Europe (27) and the U.S. (33). There are 12 in Asia, two in South America and one in Oceania. In 2012, there were 67 galleries in 22 countries.

Leading museums including the British Museum, the Asian Art Museum of San Francisco and the Museum of Far Eastern Antiquities in Sweden have presented Korean cultural displays. The Asian Art Museum of San Francisco has 794 items on show.

"Looking at the location and scale, our displays may seem to fall short of what our neighbors have done," Yoon said, pointing out rather fundamental problems apart from Korea being a late starter.

"To begin with, a lack of cultural properties available for display and an unbalanced range have made it hard to attract audiences," she said. "China and Japan, for instance, boast a large quantity and also a better location, but it also has something to do with philanthropy as well. Some of the assets in the Chinese gallery include donations from Chinese individuals, which helped a lot."

There are a total of 15,500 assets available here for exhibition — mostly pottery from the National Museum of Korea.

"Another problem is that there are not enough curators in charge of the Korean sections at the museums," the vice president said. "Their role is vital as they are the ones that come up with various ideas for exhibitions to attract and engage audiences with their in-depth understanding about the country and its collection."

The Korean collection had some of the renowned experts in the past — including Jane Portal and Charlotte Holyck who curated the gallery at the British Museum and the Victoria and Albert Museum (V and A) in London. There are Korean experts working for overseas museums — including Lee So-young, associate curator in Korean Art at the Metropolitan Museum of Art; Kim Hyun-jung, associate curator of Chinese and Korean Art at the Asian Art Museum of San Francisco; and Woo Hyun-soo, Maxine and Howard Lewis associate curator of Korean Art at the Philadelphia Museum of Art.

The KF has launched a series of projects to support the Korean galleries — including a special day dedicated to Korea and workshops to educate curators from around the world.

"We have offered a session for overseas curators to help them understand the history of Korean art. This year, those from Japan are coming to Korea for this workshop," Yoon said.

Last September, the KF supported "Chuseok Family Day" at the V and A, which was designed to "share and communicate the mood and the spirit of Chuseok," Korean Thanksgiving, according to the organization. The program offered 11 activities such as Korean traditional games, pop-up performances of Korean folktales, a hanbok dressing room, a kite-making class and a Korean pop dance workshop.

The vice-president also suggested holding special exhibitions with a specific theme.

"We aren't satisfied with the current limited space and the relatively small of number of cultural properties available for display," she said. "Now we should think about what we can do with the circumstances instead of moaning and complaining."

"If we can make the best use of what we have in collaboration with well-educated experts, I'm sure it will make the exhibitions more attractive and interesting for audiences," Yoon said. 

Recruiting college students to fight extremists online


pbs.org; via LJB by email

image from

The federal government has launched an initiative to counter violent extremism among potential homegrown terrorists. Part of the effort enlists college students to develop an online campaign and social media strategy against ISIS propaganda. NewsHour's Christopher Booker reports.


CHRISTOPHER BOOKER: At the midday formation at the U.S Military Academy at West Point every cadet is subject to inspection.  
The way they stand, salute, and march is part of their development of a U.S Army officer.
But across this Hudson River campus in the basement of the social sciences building a new aspect of cadet education is underway.
While lacking the ritual and repetition that dominate this prestigious 214-year-old academy, the virtual warfare tactics explored in this counter-terrorism elective may one day prove to be as integral as the midday formation.  
COL. BRYAN PRICE: Information has always been crucial to warfare, and so when you take a look at propaganda, over the years it’s always influenced the fight in some capacity.
CHRISTOPHER BOOKER: Lieutenant Colonel Bryan Price directs West Point’s Combating Terrorism Center.
COL. BRYAN PRICE: If you take a look at the dollars that the United States government is putting into its counter-narrative campaign and then you compare it to the emphasis that organizations like the Islamic state is placing on it I think we are operating at a deficit.
CHRISTOPHER BOOKER: The Islamic state in Iraq and Syria, or ISIS, is running a 21st century social media blitz, and its preferred platform is Twitter.
Cadets in this classroom are one of 45 college teams developing an online campaign against extremists.  The cadets are part of a “peer to peer” competition sponsored by the U.S. state department, the department of Homeland Security, Facebook, and EdVenture Partners.
COL. BRYAN PRICE: This is the demographics and the generation that the Islamic state and other jihadist organizations are targeting. So why not utilize what appeals to that generation?
CHRISTOPHER BOOKER: The target of Price’s class is what they call “fence sitters” — people who may or may not be interested in joining ISIS or other jihadi groups.  Using a multi-platform approach, they hope to surreptitiously lure social media users already engaged in conversations surrounding “jihad,” and other extremist ideas to their own website, Facebook page, twitter account, and YouTube channel
We have obscured the social media pages to avoid compromising the cadets ongoing campaign.
COL. BRYAN PRICE: We are not thinking that we are going to create a social media campaign that is going to stop card carrying members of the Islamic State and have them put down their arms. What we’re trying to do is to identify at risk youth and create a community online to which they can go get answers, information about the Islamic State. About jihad. About Islam.  And those folks that haven’t quite made up their mind yet.
CHRISTOPHER BOOKER: The cadets are searching for ways to insert their messages into the broader social media conversation – all without being detected as West Point cadets.  Sometimes they do this by exploiting the use of twitter hashtags.
COL. BRYAN PRICE: The Islamic state does a very good job of utilizing trending hashtags in order to get on sites, and get on people– people’s twitter feeds, where they wouldn’t normally be on there.  For example, so, if the super bowl was trending, they will include whatever messages they want, but they all include the hashtag, #superbowl. And so we are trying, utilizing some of those same techniques.
CHRISTOPHER BOOKER: Direct messaging also allows the cadets to interact one on one with users.
CJ DREW: This is someone from the Middle East in our 18 to 40 age bracket, telling us we have a nice page.
CHRISTOPHER BOOKER: During our visit, the cadets said they received a Facebook message from someone they believed to be in the Middle East. Senior CJ Drew was one of the first to read it.
CJ DREW: In this in this instance, we were reached out to by a person who had seen our page. And the first thing that came up to them was jihad.  And they looked like they were a fence-sitter or someone we consider to be vulnerable to targeting by ISIS, and they wanted more information and they wanted to engage us and tell us what jihad meant to them.
CHRISTOPHER BOOKER: Drew, who speaks Arabic, says their posts need to balance writing in English and other languages to look as authentic as possible. If a post has too much polish, the team risks exposing itself.
CJ DREW: We had a couple times where I was able to use hashtags that ISIS uses a lot, especially after the Paris attacks. And we had multiple conversations with some of ’em.
CHRISTOPHER BOOKER: While West Point’s approach is to enter a conversation already underway, this New York University graduate class is looking for individuals who might not be in the the conversation at all.
The class created the number “7 train stop” project — named after the New York City subway line that runs through the city’s most diverse borough, Queens.
The online platform encourages immigrants to share their experiences living in the borough. NYU professor Colette Mazzucelli teaches the class.
COLETTE MAZZUCELLI: We wanted to really focus on the difficulties, the vulnerabilities of immigrant integration and the ways in which immigrants are vulnerable. They might be more prone to indoctrination so we felt that we wanted to emphasize both the diversity of the area, the integration that comes with that, as well as the need to really be aware that indoctrination happens when communities are vulnerable.  And therefore we have to promote this idea of the american narrative, which is to integrate these immigrants in these communities, well into their new environments.
CHRISTOPHER BOOKER: In the United States, the number of individuals radicalized by ISIS is believed to be lower than in Europe but is also believed to be increasing.  So far, the U.S. government has brought criminal charges against about 80 people for ISIS-related activities — 61 cases last year – the most new cases in any year since the September 11, 2001, attacks.
SEAMUS HUGHES: Social media plays a big role in the recruitment of Americans who join ISIS.
CHRISTOPHER BOOKER: Seamus Hughes, Deputy Director of The George Washington University’s Program on Extremism, is the co-author of “ISIS in America: From retweets to Raqqa.
SEAMUS HUGHES: We don’t have communities that radicalize in the U.S. We have individuals. They are going online, and they are finding like-minded individuals, they are not finding it at mosques and community centers.
CHRISTOPHER BOOKER: Hughes says radical messages online are like an echo
Chamber.
SEAMUS HUGHES: We look at about 300 accounts of Americans we believe to be ISIS supporters online, over a six-month period, and what we saw is they didn’t hear dissenting voices. They only heard what they wanted to hear. They were only pushing the propaganda that they believed in, so when you have people trying to interject themselves into the conversation, they were quickly pushed out.
CHRISTOPHER BOOKER: Last year Hughes monitored an alleged ISIS supporter  — an Ohio  man who called himself “lone wolf” on Twitter. Twitter regularly suspended his account, only to see “lone wolf” return again and again. The user was eventually arrested after he allegedly released the home addresses of U.S. soldiers and urged people to kill them.
SEAMUS HUGHES: It’s very hard to try to figure out when someone’s gonna make that leap over to militancy.
CHRISTOPHER BOOKER: The Peer 2 Peer competition that NYU and West Point are involved in, also called P2P, is part of the State Department’s acknowledgement that it needs to change its approach.
EVAN RYAN: What we need to do is get in the middle and get in the middle so that we can actually reach people who are at risk of recruitment.
Evan Ryan is the Assistant Secretary of State for education and cultural affairs and a P2P competition judge.
CHRISTOPHER BOOKER: The U.S. State Department, for lack of a better term, has struggled in this space, why do you think that is?
EVAN RYAN: Well listen, we can’t do this on our own. We need to work with partners across the board, and that’s what we are doing with this program  P2P, working with university students, but we are reaching out broadly, to organizations, the private sector, other entities, putting minds together to think about how we can best address this problem.
CHRISTOPHER BOOKER: And one of the big questions, I guess, surrounding these private partnerships is their dealings overseas. Obviously Facebook, Twitter, these are global users, so they are juggling a lot of parameters, is it difficult to bring them into the fold?
EVAN RYAN: I think they understand this is where this demographic that we are trying to reach lives today. They live online. They live on these platforms, so when we are able to sit down with a Facebook and have them as a partner that is really important to us and we are looking forward to establishing more partnerships just like that.
CHRISTOPHER BOOKER: The P2P competition is not the first time the state department has experimented in this space. Until last year, Alberto Fernandez was State’s Coordinator for Strategic Counterterrorism Communications.  
To counter extremist propaganda, his team launched the “Think Again, Turn Away,” campaign, which included the release of the video titled  “Welcome to the Islamic State land,” a graphic, minute-long video meant to undercut the group’s message with satire.
ALBERTO FERNANDEZ: What we tried to do when I was there is we tried to be extreme and radical and we were too extreme and too radical for government, but not extreme and radical enough for the challenge we face, so we kind of fell between two stools.
CHRISTOPHER BOOKER: Now with the Middle East Media Research Institute, Fernandez says while the P2P competition is step in the right direction, it is only a small part of the new strategy needed.  
ALBERTO FERNANDEZ: So  if you are talking about a revolutionary insurgent organization, which is the Islamic state, it is going to take a while for government to turn that old battle ship around.  I think the idea that, with all due respect, that West Point cadets are going to be able to do that deep dive, to have that time to follow through and the depth to do it is probably unlikely.
CHRISTOPHER BOOKER: Perhaps, but the scale of the task does not seem to bother these cadets. In this competition of 45 teams, their entry was selected as one of three finalists. Next month, they will head to the Washington to present their project.

Sunday, January 31, 2016

CROSS-CULTURAL COMEDY: Whose Laugh Is It, Anyway?


via MHT by email; based by him on his Facebook entry

image from

CROSS-CULTURAL COMEDY: Whose Laugh Is It Anyway? / By Mark H. Teeter
Friends/Друзья (1994 – 2004)(Channel 2x2)
Scrubs/Клиника (2001 – 2010)(FOX et al.)

--> Of the various mirrors through which the frustrating and frustrated Russian-American relationship can be examined, our common interest in TV situation comedies is probably the funniest: it involves both funny ha-ha (they’re often good sitcoms) and funny-strange (there’s a curious “values gap” in the mix). What better moment to ponder this dual funniness than today, as Moscow's Channel 2X2 begins airing one of America’s all-time most popular entries of the ha-ha variety…a mere 24 hrs. after the United States was accused in Russia’s State Duma of starting the local flu epidemic and a banner designating President Obama "KILLER" was unfurled across from the US Embassy – a gesture which surely qualifies as pretty darn strange.

All told, the ha-ha part is far better good news than the most recent examples of state-ordered bizarro-prop are bad. The latter, which comprises a 2-year media campaign of Orwellian/Kafkaesque accusations against imaginary “traitors,” “5th columnists” and similar straw men foreign and domestic, is doomed by its ever-expanding absurdity to run out of targets eventually – and possibly fairly soon, as the proffered “Syrian Banderovites” clearly didn’t take off as hoped or expected. At the same time, broadcast TV here is beginning to run “Friends” – an unpretentiously engaging show about appealing young Americans and the way they live which is probably a better message-carrier re current Western values and lifestyles than anything the now-defunct US Information Agency or the insidious flu-spreading CIA could ever come up with.

Think about it. “Friends” was not created to this end, of course, but for a Russian audience the show is nothing if not extremely well-made American propaganda. New viewers here will likely see the characters the same way the vast majority of American viewers did and do: as genuinely decent young people in genuinely amusing situations, ingredients that together make you genuinely happy to spend time regularly with them -- to be their, well, friends.

This and other kinds of surrogate friendship are common to TV viewers and the Internet faithful everywhere, of course, and becoming more so by the month and gadget-generation. Whether this brave new version of human interaction constitutes a Good Thing is for you to judge; but in a Russian environment continuously poisoned by a very black version of televised propaganda, regular doses of a very white variety are hard not to see as good medicine.

Ah, but will it really "work"? There's evidence that it already has, actually. On the Western-oriented IMDb movie/TV fan site (http://www.imdb.com/), “Friends” scores extremely high, as you’d expect: 9.0/10 (based on 400K + votes); yet on the analogous Russian-language site KinoPoisk (http://www.kinopoisk.ru/), the same “Friends” -- long available here via Internet and DVD -- scores a marginally *higher* 9.023/10 (on 135K +). Even if some % of these Russian-language voters are CIA-duped Ukrainians and/or insufficiently-indoctrinated non-RF post-Soviets, the popularity numbers are still likely to be comparable.

Which is also true for “Scrubs,” another v. successful American youth sitcom that was both edgier and less conventional than “Friends” (and probably funnier, all told: your call, but ask your kids). At IMDb “Scrubs” comes in at a v. impressive 8.4/10 – while on KinoPoisk it approaches 8.7, which is *significantly higher*. For what it’s worth, “Scrubs” has been run on a number of different TV outlets here and even spawned a serviceable Russian imitation (“Интерны,” 2010- 2016; TNT) – a cross-cultural transition that has worked at least as well as the original US-RF sitcom transplant, in which “Everybody Loves Raymond” was turned into Moscow’s mega-popular “Воронины” (and an American documentary then made about the process: "Exporting Raymond," 2010: http://www.imdb.com/title/tt1356763/ and Moscow News, no.74, 2011 Sept 27, p.5(1) (ISSN: 0027-1306).
:
But transplants are another issue. What is suggested by the success of tonight's on-air debuting “Friends,” by “Scrubs” and by the other shown-in-the-"original American" sitcoms is something the current State Duma/Power Vertical/CrimeaCrazy people surely do not want to hear, much less contemplate. Correct: the punch line of the current Russian-American sitcom relationship is that Russians not only like these pleasantly-imagined surrogate Americans, they may well like them even more than Americans do.

Put otherwise, millions of younger-generation Russian viewers have been friending up with a sanitized, idealized brand of American peers whom they can empathize with. And probably a lot. Selling these Russians on the intrinsic evil of such friends/"Friends" – and on a set of Sovereign/Russian World-y values to counter and replace theirs – is a long-term task that will demand a lot more than hanging banners in front of an embassy. And the long-term taskees now available for the job are not likely, it would seem, to have a long term in which to do it.

Moscow, 28 January 2016

Mark H. Teeter served as opinion page editor and columnist for both The Moscow Times (2005-2009) and The Moscow News (2009-2014), contributing the television column TeleMost at the latter. He now edits the Moscow TV Tonite page on Facebook, where this note originally appeared.
http://www.kinopoisk.ru/film/77044/ 
http://www.kinopoisk.ru/film/251568/
https://ru.wikipedia.org/wiki/%D0%98%D0%BD%D1%82%D0%B5%D1%80%D0%BD%D1%8Bhttps://ru.wikipedia.org/wiki/%D0%92%D0%BE%D1%80%D0%BE%D0%BD%D0%B8%D0%BD%D1%8B_(%D1%82%D0%B5%D0%BB%D0%B5%D1%81%D0%B5%D1%80%D0%B8%D0%B0%D0%BB)

Mutunga's dubious legacy that he now cannot erase


John Onyando, the-star.co.ke

Mutunga image from article
Excerpt:
Just as Chief Justice Willy Mutunga seemed to be enjoying a honeymoon with the public ahead of his retirement, a new scandal has erupted in the judiciary that has once again brought his leadership under scrutiny.
Last Sunday’s report by NTV alleging that Supreme Court Justice Philip Tunoi was given $2 million (Sh204 million) to influence the ruling in a gubernatorial election petition has shaken the little confidence that was still left in the judiciary, of which Mutunga himself has sounded alarm in recent weeks. ...
The reality that corruption persists in the judiciary, despite reforms under the new constitution, is well recognised. ...
Once Kenya’s great hope, Mutunga has succumbed to political pressure at every stage. There is no doubt Mutunga is a nice man at heart. He takes extreme ideologically reformist positions in his public diplomacy. But his positions amount to nothing if they can’t influence societal transformation. While Kenyans wanted a CJ who could shake up the system, Mutunga was scared to death by the entrenched interests, and he lacked the organisational dexterity to manage dynamics of power. ...

Denmark's Harsh New Immigration Law Will End Badly for Everyone


Rasmus Alenius Boserup, huffingtonpost.com

Image from, with caption: A boat cruise along Copenhagen's harborfront provides views of the city — and of the iconic "Little Mermaid" statue.


Excerpt:
Prior to the cartoon crisis of 2005-6, which arose after a Danish newspaper published a handful of cartoons depicting the Prophet Muhammad, Denmark did not have strong national brand recognition in the Middle East and North Africa. During numerous research trips to the region before the crisis I often heard questions along the lines of, "Denmark? Isn't that the capital of Oslo?"
Egyptians, for instance, jokingly used to refer to Denmark as "the country of cheese" (balad al-gibna), a reference to Danish dairy products exported to the region. Or they would take amusement from referring to a popular slapstick comedy starring a prominent Egyptian actor, Adel Imam, in which the plot is built around a Danish blonde in skimpy clothes. And there were soccer fans (quite a lot) who could name more famous Danish or Arab soccer players than I even knew. Beyond that, everything turned a bit hazy.
The cartoon crisis changed that. It instantly hurled Denmark into the Arab and Middle Eastern collective consciousness and tarnished Denmark with a reputation as a frontrunner in European xenophobia and Islamophobia.
Whether we find it fair or not, the dominant narrative about Denmark in the Middle East remains forcefully impacted by this experience. Danish businessmen know that and so do the Danish intelligence and foreign services. Over the past 10 years each has worked to repair and rebuild what Denmark's image lost in 2006. In the foreign service, for instance, the newly established regional reform program that I headed in Cairo from 2008 through 2011 had to scale down its reform agenda and instead focus on public diplomacy and "dialogue" activities.
The cartoon crisis not only created a branding challenge for Denmark in the Middle East; it also made the country weaker in the eyes of countries it normally compares itself with. The association with European xenophobia and Islamophobia had grave consequences for Denmark's capacity for international diplomacy and its exposure to international terrorism. Every incoming Danish government since 2006 has been forced to handle this structural weakness through the diplomatic, trade and security agencies.
But the current government has utterly failed to do this. Out of an eagerness to dissuade Syrian and other refugees to seek asylum in Denmark, the government, since it came to power about seven months ago, deliberately and proactively built an image of Denmark as a leader in European anti-immigration policies. ...


Proud moment re-visited


dailypioneer.com

image from
Excerpt:
Airlift has evidently won the hearts and minds of cine-goers, having made the most of the Republic Day patriotic fervor. But many are asking: To what extent is the film, which depicts the large-scale war-time evacuation of 1.70 lakh Indians from Kuwait in 1990, an accurate reflection of the event? The Ministry of External Affairs has put out an official statement saying that the film has been poorly researched and doesn't do justice to the Herculean effort that South Block put in to carry out what remains till date the largest civilian evacuation effort. Former diplomats have also reiterated this view, and even some civilians, who were part of the evacuation process, have shared their opinion on how the film strays from the reality that they had experienced. ...
Airlift deserves full credit for at least starting the conversation about this evacuation effort, which happened only two decades ago but had already been forgotten. Perhaps, the MEA's Public Diplomacy department should use this opportunity to commission a documentary on the episode, and indeed the many other evacuations that India has carried out over the years and across continents. Similarly, other film-makers too can follow suit and pick up the other stories that are waiting to be told from these operations — be they of Indian Government officials, evacuees or even foreign diplomats and leaders who may be involved.

Snapchat: Geofilters for City Diplomacy


uscpublicdiplomacy.org


image from entry
Jan 30, 2016
Snapchat is a mobile application that allows people to take and share pictures and videos instantly, which can be tagged by location. This geofilter aspect can function as a tool for city diplomacy, especially since many of the filters are created by local artists to express the character of their environment. Snapchat also acts as a medium for cultural diplomacy by sharing crowdsourced stories to its users about happenings around the world, from kite festivals in Gujarat, India, to Australia Day.
For the latest updates on webjournalism tools and apps, visit USC School of Journalism professor Robert Hernandez's website. 
Photo by Meena Kadri / CC by-SA 2.0