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John Brown's Public Diplomacy Press and Blog Review

Tuesday, July 31, 2018

Public Diplomacy Federal Assistance Awards


vn.usembassy.gov; original article contains links

image (not from entry) from

The Public Diplomacy Federal Assistance program funds projects that further the U.S. Mission’s public diplomacy goals: enhancing prosperity for Vietnam through market orientation, governance, education and the environment; improving security cooperation; enhancing education ties, strengthening media engagement, and/or building capacity of local partners.

The U.S. Consulate in Ho Chi Minh City accepts the proposals for projects in the provinces south of and including Thua Thien Hue. Please see Announcements section for open funding opportunities, deadlines, and submission guidelines. Please check back regularly for new funding opportunities.
  • YSEALI Mekong Delta Small Grants Competition (PDF, 83KB)
Application deadline: August 8, 2018 (11:59 p.m., Vietnam Time)
Project Budget: Up to $1,500
The U.S. Mission to Vietnam and the Resource Center for Community Development (RCCD), An Giang University invite the participants of the 2018 YSEALI Regional Workshop: Protecting The Mekong Delta Environment to submit proposals for the YSEALI Mekong Delta Small Grants Competition. These grants aim to provide the potential short and long term solutions and implementation strategies for addressing changes in the environment that are causing serious and observable consequences in the Mekong Delta. Workshop participants can submit proposals with their workshop teammates with mentors or with other participants in their home countries.
  • 2018 Alumni Small Grants Competition (PDF, 295KB)
Application deadline: August 1, 2018 (11:59 p.m., Vietnam Time)
Project Budget: Up to $10,000
The U.S. Consulate General Ho Chi Minh City invites Vietnamese alumni of U.S. Government-funded (USG) exchange programs to submit proposals for the 2018 Alumni Small Grants Competition. These grants aim to create opportunities for alumni to work together on a shared vision of a brighter future for Vietnam and the U.S. – Vietnam relationship by addressing shared concerns. Alumni can submit proposals as individuals or under the auspices of a non-profit organization in which alumni are working.
  • Public Diplomacy Federal Assistance Awards (Annual Program Statement) (PDF, 444KB)
Application deadline: July 1, 2018 (11:59 p.m., Vietnam Time)
Project Budget: Up to $30,000
This Annual Program Statement solicits proposals for projects that further the U.S. Mission’s public diplomacy goals of expanding media engagement, strengthening people-to-people ties between Vietnam and the United States, and building and strengthening local partners through the specific objectives listed. Public diplomacy programming includes communication with international audiences, cultural programming, educational exchanges, English language programming, innovation in and improvement of education systems, promoting science, technology, engineering and math (STEM) education, and promoting journalistic professionalism.
  • The Vietnam Education Foundation Alumni Small Grants Program (PDF-508KB)
Project Budget: Up to $20,000
Proposals may be between February 5 and July 31, 2018 with submission deadlines as follows: March 31, May 31 and July 31

These grants aim to strengthen the VEF Alumni community in Vietnam by creating opportunities for alumni to work together on a shared vision of a brighter future for Vietnam and the U.S. – Vietnam relationship by addressing shared concerns. Alumni teams, which can include alumni of other U.S. Government (USG) sponsored programs, can submit proposals as a group of individuals or under the auspices of a non-profit organization in which alumni are working.

Posted by John Brown at 2:39 PM No comments:

Inside US Ambassador Woody Johnson’s New Job: Reality TV Star


Amanda Whitting, washingtonian.com; courtesy DW -- Many thanks!

Trump's mouthpiece in the UK is starring in a series about the US Embassy. How is that possible?


uncaptioned images from article

“Do you want to get stoned and watch that new America documentary?” I was in London last week, finishing dinner with an English journalist friend, and assumed she meant Sacha Baron Cohen‘s show. If you can still remember as far back as last week, then surely you’ll remember people were talking about it.

“No,” my friend clarified. “The embassy one.”

I could not know in that moment, scraping the plates, that I would not leave the sofa until the small hours of the morning. I could not not know that I’d be powerless to stop watching US Ambassador to the UK Robert Wood “Woody” Johnson IV articulating his thoughts on Brexit (“Why are we so nervous?”), America (“We’ve got the best story”), and child-rearing (“I have two little boys, and we’re raising them just like Donald Trump, without the hair”).

I could not stop listening as Johnson described to the UK foreign minister why peregrines were his favorite bird: “They’ve got a serrated beak and they go under the pigeon and slice the neck and they grab it.” (“This is a political technique I need to master,” the minister replies, ambiguously.)

Inside the American Embassy is a fly-on-the-wall series about America’s home on UK soil that begins with Johnson’s swearing-in and ends with Trump’s state visit earlier this month. If you live in America, you’ve probably never heard of it. If you’re a British person, you know everything about Woody Johnson.

The show has been airing in the UK since late June, marking an audacious new frontier for how members of this administration use their political positions to raise their profiles. While it’s become almost customary to juice a previous role inside Trump World for a memoir (Sean Spicer, James Comey, the forthcoming Omarosa tell-all) or a Fox News gig (like David Bossie), becoming a reality TV star while still on the job feels, well, almost like a parody of the kind of thing that would happen inside Trump World.

Diplomatic work is reactive and reactions often look like a team of career diplomats co-drafting a #AskWoody tweet, so the show itself can be plodding. But it’s also riveting in the way it would be riveting to watch hidden camera footage of a celebrity, like seeing Madonna floss. It’s not technically interesting, but also WHAAT IS THIS HOW AM I WATCHING THIS.

And Inside the American Embassy doesn’t shy from Trump’s British scandals—like his criticism of the “lousy” new billion-dollar US Embassy in London, the very embassy Woody Johnson, 71, is gearing up to open in a scene from the season premiere.

“We’re actually taking it up a notch,” Johnson, the billionaire heir to Johnson & Johnson, assures his staffers. “It’s a story we’re going to write together. What is it and why is it exciting? Why is it the best thing ever? Right?” He looks expectantly at his people. “Sales! We’ve got to sell it.”

An aide warns that there may be blowback. The old embassy was in Grosvenor Square, America’s home on UK soil for a hundred years. D-Day was planned in Grosvenor Square.

“If you don’t get any blowback,” says Johnson, a Sun Tzu of making America great again. “You’re not being aggressive enough.”

Inside the American Embassy is the brainchild of executive producer Sally Angel from the British production company Field Day. She started laying the groundwork for the show two years ago, before the 2016 election and long before Johnson was in place. The embassy, she says, was “surprisingly positive” from the get-go.

Still, cameras couldn’t roll without the new ambassador’s approval. A week after he arrived in London, Angel and series producer Simon Gilchrist sat down with Johnson in his Mayfair office, “underneath the gaze of Winston Churchill,” says Angel of the portrait Johnson has hung.

“He was very enthusiastic about it,” says Gilchrist. “He’d had a similar experience with a series which was done about the New York Jets.” Because besides being the billionaire heir to Johnson & Johnson and the US ambassador to the UK, Johnson co-owns the football team whose 2010 season was chronicled in the HBO series Hard Knocks.

Behind the scenes with a national football team, a peek behind the curtain of the special relationship. Inside the American Embassy can be understood as a sequel almost, a box-set tour of the great American institutions. Gilchrist says filming started just six hours later.

Given how difficult it can be to get information from the White House—the US headquarters on US soil—some of the moments Inside’s camera crew captured are shocking in their transparency, like consular interviews conducted in the wake of the travel ban. We watch an Iranian grandmother get denied a visa to visit her son in New York, a trip she takes every year. “How would you feel if there was such a judgment about all of you collectively? Are you all thieves, are you all terrorists? How would you feel?” her daughter asks the camera as they leave the embassy. “That’s how we feel.”

There are approvals, too—a family headed to Disneyland, a young bus-driving groom who will be reunited with his American fiancรฉe–but the overall impression is a scandalized sense of why any viewer was permitted this trespass. Angel says there was no attempt by the embassy to limit the film crew’s access. That was the deal. “Once they agreed to our filming, they had agreed to our filming.”

Woody Johnson is so happy to be back in the United States, in the first episode, that he can’t stop pointing out the window as his car glides toward the White House. He points to the Washington Monument. He points to the Treasury building, where his boss and close friend the President can easily nip over to “count the money.” Johnson is positively giddy with dad jokes.

It’s January and the ambassador’s been called to attend Trump’s first State of the Union address. His camera crew captures a confessional-style interview in his Trump Hotel suite. When Johnson runs into Corey Lewandowski on his way out of the Oval before the speech, he assures him “the boss” is “in great spirits.”

The show doesn’t skewer Johnson. He comes off as an affable guy who cares a lot about business. He thinks Coca-Cola’s a good business. He likes how many business guys there are in the administration. He tells a group of UK entrepreneurs that the sentence “America is open for business” is an understatement. Woody thinks business is the best.

But the show’s also not subtle. Every episode features panning shots of American flags and statues of bald eagles. “This is diplomacy in the age of Trump,” the narrator bellows. In the fourth episode, “When Trump Comes to Town,” the press team reviews news coverage from his state visit. “Still not the world’s most positive headlines,” one aide says. “No, that’s true,” says another.

According to Gilchrist, the US Embassy in the UK was shown the program prior to its airing and provided an opportunity to correct factual mistakes, like name misspellings and wrong job titles. But it’s impossible to say who made the final decision to allow production of the show in the first place, mostly because everyone’s refusing to talk about it.

The US State Department declined to allow the embassy’s press officer to be interviewed for this piece: “I’m not at liberty to discuss any details of the project or the approval process at this time.”

The White House, too, has not responded to multiple requests for comment.

The production company, who hopes to air the program in the US, refused to speculate whose rubber stamp let this show get made.

And so it’s just like Johnson says in the final moments of the final episode, as he speculates what will happen next, and when his boss and close friend the President will visit the UK again: “Who knows?”

Questions or comments? You can reach us on Twitter, via e-mail, or by contacting the author directly:

Amanda joined Washingtonian in January 2016. She has written about Maryland brewery Flying Dog’s First Amendment fight, pored over Hillary Clinton’s emails, and come clean about owning too much stuff. She lives on H Street.

Posted by John Brown at 8:40 AM No comments:

Monday, July 30, 2018

Renewed Iran Sanctions Will Bolster the Regime and Undermine the Private Sector


Sina Azodi, atlanticcouncil.org

Excerpt:
The Trump administration’s decision to withdraw from the Iran nuclear deal and pursue a policy of “maximum pressure” on the Islamic Republic has been coupled with a public diplomacy campaign in alleged support of the Iranian people. But the result is likely to be a stronger central government, as sanctions crush private enterprise and force beleaguered Iranians to turn to the regime for relief. ... 
Posted by John Brown at 6:19 PM No comments:

Public Schedule: July 30, 2018 - US Department of State


state.gov
image (not from entry) from
Excerpt:
ACTING UNDER SECRETARY FOR PUBLIC DIPLOMACY [JB emphasis] AND PUBLIC AFFAIRS & DEPARTMENT SPOKESPERSON HEATHER NAUERT
9:15 a.m. Acting Under Secretary and Spokesperson Nauert attends Secretary Pompeo’s keynote address at the Indo-Pacific Business Forum, at the U.S. Chamber of Commerce. Please click here for more information.
(MEDIA DETERMINED BY HOST) ...
Posted by John Brown at 5:15 PM No comments:

Dan McLaughlin on Twitter: "This is public diplomacy that means it.… "


twitter.com

Dan McLaughlin‏Verified account @baseballcrank
Dan McLaughlin Retweeted Benjamin Netanyahu
This is public diplomacy [JB emphasis] that means it.
Dan McLaughlin added,


2:18
Benjamin NetanyahuVerified account @netanyahu
This is a tough story. But you need to hear it
7:38 PM - 29 Jul 2018
  • 29 Retweets
  • 71 Likes
  • ๐Ÿ—ฟ Bryan O'Nolan ๐Ÿ—ฟKnight of the Right๐Ÿค•๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡ฒ๐Ÿ‡ฝ๐Ÿ‡ฆ๐Ÿ‡ถ๐Ÿ”ฅืืœื™ื”ื• (ืืจื™ื”) ืœื‘ื™ื๐Ÿ”ฅerik strandquistBen DufraneCameron MosleyKimberly GallellaNoah IsaakFanged Terror
6 replies29 retweets71 likes


    1. Hal Incandenza‏ @StarTuna_ 14h14 hours ago
      Replying to @baseballcrank
      war war war war war i want a war NOW
      0 replies0 retweets1 like


    1. Ryan Gunn‏ @Ry_Gunn013 18h18 hours ago
      Replying to @baseballcrank
      By “it” I assume you mean war.
      0 replies0 retweets1 like


    1. The Nightbob‏ @theNightbob 18h18 hours ago
      Replying to @baseballcrank
      It's also brilliant politicking.
      0 replies0 retweets1 like


    1. New conversation
    2. TherealMichael Fick‏ @MichaelFick1 17h17 hours ago
      Replying to @baseballcrank
      It’s also straight up propaganda from a man who himself and family are rolled up deep in corruption charges and probes.
      1 reply0 retweets1 like


    3. 1 more reply
    1. New conversation
    2. Von Braun‏ @B_Sungam 17h17 hours ago
      Replying to @baseballcrank
      He’s going to help Fatemeh, ๐Ÿคฃ That Idiot can’t be thrown out of office soon enough.
      1 reply0 retweets0 likes



    3. (((Haya Eytan)))‏ @TeachESL 17h17 hours ago
      He's brilliant
      1 reply0 retweets1 like



    4. Von Braun‏ @B_Sungam 17h17 hours ago
      He’s an ass, dragging Israel’s reputation into the mud.
      1 reply0 retweets0 likes



    5. Jacob McNeil‏ @jim_diary 16h16 hours ago
      No matter who is in power, and no matter what they do, Israel will be maligned by people who are anti Israel (and not anti semetic of course, only anti zionist).
      1 reply0 retweets1 like



    6. Von Braun‏ @B_Sungam 16h16 hours ago
      What a convenient excuse! ๐Ÿคฃ
      1 reply0 retweets0 likes



    7. Jacob McNeil‏ @jim_diary 16h16 hours ago
      Convenient excuse? Ariel Sharon was prime Minister and literally gave away land...yet he still was viewed as evil by the world...so yeah, it's a convenient excuse..
      1 reply0 retweets0 likes



    8. Von Braun‏ @B_Sungam 16h16 hours ago
      Yeah the whole world is against you... paranoia
      1 reply0 retweets0 likes



    9. Jacob McNeil‏ @jim_diary 16h16 hours ago
      It's not paranoia...go look at the record of the UNHRC. A council with NK, China, Russia, Syria, etc has such a glaringly disproportionate amount of resolutions focused on Israel...83- 86% of resolutions target Israel...can you explain that?
      1 reply0 retweets0 likes


    10. 6 more replies
    1. Boviosity‏ @FlashHeart59 17h17 hours ago
      Replying to @baseballcrank
      Remember Julia?
      0 replies0 retweets0 likes



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About Me

John Brown
A Princeton PhD, was a U.S. diplomat for over 20 years, mostly in Central/Eastern Europe, and was promoted to the Senior Foreign Service in 1997. After leaving the State Department in 2003 to express strong reservations about the planned U.S. invasion of Iraq, he shared ideas with Georgetown University students on the tension between propaganda and public diplomacy. He has given talks on "E Pluribus Unum? What Keeps the United States United" to participants in the "Open World" program. Among Brown’s many articles is his latest piece, “Janus-Faced Public Diplomacy: Creel and Lippmann During the Great War,” now online. He is the compiler (with S. Grant) of The Russian Empire and the USSR: A Guide to Manuscripts and Archival Materials in the United States (also online). In the past century, he served as an editor/translator of a joint U.S.-Soviet publication of archival materials, The United States and Russia: The Beginning of Relations,1765-1815. His approach to "scholarly" aspirations is poetically summarized by Goethe: "Gray, my friend, is every theory, but green is the tree of life."
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      • Public Diplomacy Federal Assistance Awards
      • Inside US Ambassador Woody Johnson’s New Job: Real...
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