http://www.publicdiplomacycouncil.org/
Tuesday, July 7, 2015
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About Me
- John Brown
- A Princeton PhD, was a U.S. diplomat for over 20 years, mostly in Central/Eastern Europe, and was promoted to the Senior Foreign Service in 1997. After leaving the State Department in 2003 to express strong reservations about the planned U.S. invasion of Iraq, he shared ideas with Georgetown University students on the tension between propaganda and public diplomacy. He has given talks on "E Pluribus Unum? What Keeps the United States United" to participants in the "Open World" program. Among Brown’s many articles is his latest piece, “Janus-Faced Public Diplomacy: Creel and Lippmann During the Great War,” now online. He is the compiler (with S. Grant) of The Russian Empire and the USSR: A Guide to Manuscripts and Archival Materials in the United States (also online). In the past century, he served as an editor/translator of a joint U.S.-Soviet publication of archival materials, The United States and Russia: The Beginning of Relations,1765-1815. His approach to "scholarly" aspirations is poetically summarized by Goethe: "Gray, my friend, is every theory, but green is the tree of life."
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1 comment:
Following this talk, which I attended, the Q&A got into the issue of whether the political connotations of country music should be considered when deploying it in service of US public diplomacy, i.e. should the music be associated with the views of those who listen to it? At least some foreign audiences are unaware of / unwilling to accept the full range of American diversity, and focusing too much on country music in our PD programming might just reinforce that misperception. If country music is the hymnal for rural white America - with recurring themes of "us vs them" (rural vs city / a certain kind of Christianity vs other belief systems / South vs North,/ and a generally conservative approach to social issues) - then perhaps it might be used to illustrate American diversity, but not held up as America's "real music." I remember bringing a Western Swing band inito Baghdad back in the mid 1980s - a big hit, but their songs were fun, not "political" (My Girl Alexis has a Heart as Big as Texas ... etc.), and young Iraqis loved to dance to it. There are many "Americas" today, and that has always been true. The majority of the American population today is not rural Protestant white people. I like country music myself. I have family from the South, and I am learning to play the banjo, but I remain leery of using country music - especially songs with overt political messages - too prominently in our public diplomacy programming. The political associations that go with at least some contemporary country music do not represent all of America, or even most of it. We had a lively exchange about this after Monday's talk, and this post is intended to broaden that discussion. Do you associate country music with "the culture wars" and emblems like the Confederate battle flag? How would you use country music in our overseas cultural programming?
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